★movie4k★ Watch The Dark Knight 2008 Online Free Full Episodes Without Downloading

• Duration 2hour 32 Minute
• Aaron Eckhart, Christian Bale
• Christopher Nolan
• tomatometer 9 of 10
• audience Score 2222499 votes
• The Dark Knight is a movie starring Christian Bale, Heath Ledger, and Aaron Eckhart. When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, Batman must accept one of the greatest psychological and

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The dark knight satellite. The Dark Knight is an amazing movie, the script is very well written, the acting, the visual effects, its really hits you on an emotional level, which is something most films don't do nowadays. I recommend it to everyone who loves Batman, even if you don't like Batman, you'll still love this movie. It is probably Christopher Nolan's most successful films next to Inception. If you want to be emerged in a real life Gotham, then this is the movie to see, though the old batman films portray a very comic book-like Gotham this one shows that anything including the villains, even batman, is very possible to happen. If you enjoyed the origin, you'll most definitely like this one. It has your action, adventure, comedy thrown in and out throughout the movie, and even your romance.

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The dark knight rises tamil dubbed. The dark knight rises ending. Everything in this film is perfect, thanks to Nolan. No one could ask for a better superhero film. The joker character was carved to perfection, credits to Heath Ledger. Less CGI and more realistic action was a good move. The dialogues in the movie were catching and it helped to express the movie in an efficient way.
We can only expect a equally better Batman film but definitely not better than this.

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The dark knight rises imdb. The dark knight rises english subtitles. Christopher Nolan has a vision. And whether you agree with it or not, he undeniably completes it in "The Dark Knight" a vicious, engrossing, overwhelming, intelligent event- film that re-defines 'comic-book-flicks. In Nolan's grim, dark-depiction of Gotham-City (the crime-ridden hell protected by legendary superhero Batman) the director strives to make everything real (something he began in the well-received "Batman Begins. He makes it plausible, possible. And yet there's more to it: just as 'Begins' was a dissection of myth, the nature of symbols and heroes, Knight' is the escalation of that notion. It's a biblical- confrontation of 'good-and-evil' yet as 'good-and-evil' really exist: a conflict of ideals, something that can't be purely-defined but that is relative to a viewpoint. In Nolan's world, the line of villainy and heroism isn't crossed. it's non-existent. The bad-guys don't see themselves as bad-guys, and as such something so unnervingly-real comes across it might fly past some people's minds (no insult to anybody, it's just common that people don't look deep into 'popcorn-flicks. the battle is a complete ambiguity.
The film runs at nearly 2.5-hours, yet never ceases to lose interest or momentum. It doesn't waste a scene or moment; every event is utilized and necessary. 'The Dark Knight' tells a story worth telling and it takes the proper amount of time to tell it. Action-sequences are frantic, old-school, eye-grabbing stunts (vastly superior to 'Begins' and in their chaotic intensity we see that they serve purpose to the story, yet more interesting are not played for pure entertainment-value: we are meant to watch, petrified, simply hoping that the outcome will go the hero's way. Attention is never lost because we are immersed in a breathtaking, almost completely-unpredictable story (it packs many a shock) that makes us think and more importantly gains our emotional-investment. We come to care for the characters, because they are believable, developed, and personified fully.
Everyone has great-chemistry together. Maggie Gyllenhal is a more mature Rachel Dawes than Katie Holmes. Morgan Freeman provides his authoritative presence to the role of bad- gadget-inventor/Wayne-Enterprise CEO Lucius Fox, and under anyone else's portrayal, the part would be less-memorable. Gary Oldman underplays his world-wearied lawman with such honest-nobility, you never feel for a second any of its forced-acting. The irreplaceable Michael Caine makes a gentle, reassuring, father-like presence as Alfred, and the movie would surely fail without his strong-presence and interjected-moments of light-humor.
And while everyone (rightfully) pours the praise unto Bale and Ledger, I think most are glancing-over Knight's breakout-performance. As Harvey Dent, Aaron Eckhart does more than hold himself in the company of such a renowned-cast. He makes his presence known, whether he's playing on the easy-going charisma of Gotham's 'White-Knight' or the broken and damaged, twisted-soul of Two-Face. He achieves a full-impact with the tragedy that comes unto his character, and so closely connects with Dent, that he makes his pain tangible for us: we sympathize even as we become terrified. He captures both facets of each personality flawlessly.
Now, some people cite that 'Knight' has a potential fatal-flaw in the supposedly wooden- acting of Christian Bale. Admittedly, his development is not as grand as in 'Begins' yet that film gave us such a good psychoanalysis of Wayne, we hardly need more) yet what Bale pulls off is admirable. Wayne is not an eccentric personality. He is a disillusioned man who can hardly find any joy in having no family, giving up his love-interest and spending his life fighting a battle that may never end. He's dark and conflicted, and Bale plays up on that brooding-mood by making Wayne look as though a thousand dark-things were on his mind. He's not 's a humorless, quiet individual. Even when Wayne is acting as a frivolous playboy for the public, every now and then Bale offers us a powerful glance that reminds us its all a façade; that deep down, something more disturbed irks him. Occasionally he offers a broken-smile when exchanging banter with Alfred, letting us know that beyond the dour depression of the Caped-Crusader lies a damaged human-being. It is only in the guise of a growling masked-man, that he can unleash his true, ferocious personality.
Finally, who could forget Heath Ledger. Now, when he was first-announced for the part, I was (along with many other people) asking myself: Why. Mr. Ledger had proved with 'Brokeback Mountain' he could deliver a potent performance. But he hadn't before. It is only, after seeing this film, that I know the answer to 'why. I see the significance of his loss.
When Heath appears in this movie, he is completely unrecognizable. His voice is distinctly-altered; a near-whiny, pedophile-like tone that sends shivers down the spine. His face is completely splattered with makeup that renders him both freakishly-nightmarish and strangely-funny. And when you see him, you don't think it's him. In this, his final performance, Ledger proved he was a chameleon. His two iconic performances in this, and 'Brokeback' could not be more different. I am convinced he could have been anything in his career. He commits so intensely to character that the line of actor/portrayal dies. His every tick and gesture only further-enhances his character. Heath never hams the role up or goes for something cheap: he delivers a fully-immersed display of psychotic do we just label him that to feel safer? The movie writes the character brilliantly; blending terrifying truth into his every social-accusation, and making us question why we laugh at his sick-jokes.
'The Dark Knight' has had an incredible-amount of hype running for it, from the get-go, mounting ever-higher, until Heath Ledger's too-soon death. And the finished-product does more than exceed all of the near-impossible expectations placed on it. It becomes something much richer than a super-hero-franchise-saga. Christopher Nolan has opened a new door in cinema: allowing action-flicks to become more serious, capable of intelligence. He has transformed this into a piece of artwork, full of beauty, terror, moral- conundrums. This movie has changed rever.

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